My art practice stems from the desire to make a space where information can be made readily available to the general audience and thereby create an opportunity for deep discussions about pertinent social issues. I believe that art exhibits and galleries tend to be very exclusive in nature. And, although some may say otherwise, most showings tend to be tailored towards the highly educated rich classes whom are in tune with the “Art World”, but because of this exclusivity, the voices of those who may not have enough time to keep up with the "Art World” are often lost. The voices of minorities and marginalized people are often not included in the programming at cultural institutions and such population as a result make up a small fragment of viewers at museums and galleries. As a result, I want to deconstruct this disconnect between various audiences by creating a space for people to come together from various backgrounds regardless of whether or not they know well known artist and be able to share their own insights, knowledge, experiences or ideas on various ongoing issues that are normally undermined or go unseen. Some of these issues include red herring tactics in media, cyberbullying, global warming, and politics to name a few. My hope is that when people see my artwork they think not just about what is physically there, but also psychologically and conceptually think about the question the piece is trying to raise. Many of my works have dealt with questions about why mass media uses red herring tactics to divert attention away from more pressing issues such as global warming, unjust wages, or alienation of certain social groups. Why are we told a certain story, but don’t often hear others. Through each of my bodies of work, I strive to present information that I find, then let my viewer interpret this information through their own means. I try to give a different view on a subject than what is normally presented and therefore pose questions that viewers can think about.